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Join artist and printmaker Gillian Murray to develop with ample time your collagraph skills. This three day course will give plenty of opportunities to explore this technique and develop your work. The first day will show you how to make and print your plate, and the subsequent two days will give you time to develop the technique on new plates experimenting with chine collé, relief rolls, blind emboss and colours. A collagraph print is an impression taken from a collaged and textured plate. The plate in this case is mountboard on which your image is constructed using a variety of textured materials such as embossed wallpaper, cut out shapes, stickers, stamps, tissue, etc as well as gesso, glue, grit and cutting to make marks on the mountboard. Once finished and sealed with varnish, the plate is inked up and printed through an etching press. This creates rich textures and an embossed surface. Gillian Murray Gillian wasborn in Perth, Scotland and studied Fine Art (Printmaking) at Gray's School of Art in Aberdeen, graduating in 1993. After a mvoe to Edinburgh, she was employed at Edinburgh Printmakers from 1996 until 2017 running the screenprinting department. This involved working on print projects with a host of local, national, and international artists as well as teaching courses in screenprinting and collagraphs. She now dedicates more time to creating her own artwork, as well as freelance teaching and editioning. In her own work she is fascinated by the landscape from the tectures and colours to its form and composition. She is a professional member of the SSA and has exhibited widely in the UK and beyond. This course is part of our well-established and respected Summer School Programme, which gives printmakers of all skills levels valuable experience working with some of Scotland's most experienced practioners. It also entitles you to a FREE 4-month Associate Membership, which allows you to use the studio and consolidate your skills after the course. Image: Gillian Murray, Inner Sound, Loch Carron, screenprint and collagraph, 2022
Print Studio
On 5-7 July, combine plate lithography and monoprinting techniques in this exploratory 3-day workshop led by Edinburgh Printmakers' Head of Editions, Alastair Clark. Start by working on acetates with various drawing, painting, or digital materials and then exposing these directly onto an aluminium photo plate. These plates can produce detailed marks such as painterly washes, liner drawings, digital images, photographs, and text. Then you will delve into layering, printing plates and exploring how to build prints up in colours using lithography, combining simple monoprinting techniques and diving into some colour theory along the way. This hands on course will allow for a playful exploration of how to approach lithography in a creative way, harnessing the delicacy of mark and tone characteristic to this medium. Alastair Clark Specialising in stone and plate lithography, Alastair has over 30 years' of teaching experience at Edinburgh Printmakers, and previously at Edinburgh College of Art. As Head of Editions at Edinburgh Printmakers, he works on print projects as a collaborative expert printmaker with invited artists, producing print editions for the organisation's publishing programme that are exhibited and sold all over the world. Alastair has exhibited widely in the UK and abroad, and was elected as a professional member of the SSA in 1997. Recent solo exhibitions include Dark Matters at Edinburgh Printmakers exploring themes inspired by astronomy, while Skylights drew inspiration from the Northern Lights. Recent series of prints include Eutopians which responded to Brexit and the ongoing series An Island Time explores climate change. This course is part of our well-established and respected Summer School Programme, which gives printmakers of all skills levels valuable experience working with some of Scotlands most experienced practioners. It also entitles you to a FREE 4-month Associate Membership, which allows you to use the studio and consolidate your skills after the course. Book over a month in advance to receive 15% off the course price with our Early Bird tickets!
Print Studio
On Sat 17 - Mon 19 May 2025, join artist Kelly Stewart for this unique course. The workshop offers an opportunity to focus on mark-making and drawings with the theme of Australian Flora. Tutor and artist Kelly Stewart has recently spent time in her native country and will be bringing back samples of Australian flora as resource materials for this course. During this 3-day workshop, you will be converting drawings and mark making from day 1 into the screen printing process on day 2, followed by the final day of bookbinding where your beautiful flora inspired prints will become your very own artist book. You will learn how to combine layers of mark-making by using a range of materials to draw and paint directly onto films, which will then be exposed onto screens for printing. You'll also learn how to mix inks with a view to layer and overlap their imagery onto a range of papers. Subsequently you will be taught how to hand stitch and bind your prints into a hardcover artist book. Do you already know how to screen print and/or bookbind, but are interested in having the unique opportunity to draw from samples of beautiful Australian flora? You can book onto the drawing day independently here. Kelly Stewart Kelly Stewart studied Design (Visual Communication) in Sydney, Australia before moving to Scotland and joining Edinburgh Printmakers in 2001. Since then, she has worked predominanly in the medium of screenprinting as she finds it combines drawings, textures, and handwritten text unlike any other medium. Kely has tried many other print techniques, but has a passion for screenprinting which she brings into her classes and workshops. Book over a month in advance to receive 15% off the course price with our Early Bird tickets! This course is part of our well-established and respected Summer School Programme, which gives printmakers of all skills levels valuable experience working with some of Scotlands most experienced practioners. It also entitles you to a FREE 4-month Associate Membership, which allows you to use the studio and consolidate your skills after the course.
Print Studio
On 12-14 July join us for Drawn & Painterly Approaches to Etching with Robert Powell. This 3-day course provides the perfect introduction to the medium of etching, focusing on its use as a drawing and painting process. The course will start with a technical grounding, introducing innovative techniques that encourage spontaneous and diverse methods of mark-making. Working directly onto metal plates, you will develop images through various hand-applied techniques. Using new safer acid resists makes etching a much healthier process, using neither dangerous acids nor solvents. Following that, you will have time to develop both copper and zinc plates to explore ways of creating images, exploiting their etcherly qualities. Book over a month in advance to receive 15% off the course price with our Early Bird tickets! This course also entitles you to a FREE 3-month Associate Membership to use the studio and consolidate your skills.
Print Studio
On 20-22 September 2025, Kittie Jones, acclaimed artist and printmaker, will introduce you to this unique printmaking technique, all based around the discoveries made in her own practice. Initially, time will be spent exploring monochrome rub-away processes considering tone and mark. You will then be shown how to layer with colour to create rich and complex one-off prints. During this expanded 3-day masterclass, you will be guided through the processes used by Kittie including working with layers of transparent colour and rub-away drawing techniques to create unique painterly prints. Kittie will share insights into her process of bringing lively sketches made outdoors into the print studio. Kittie Jones is an artist and educator based in Edinburgh. She graduated from Edinburgh College of Art and Edinburgh University in 2008 and now works from her studio in Leith, regularly exhibiting around the UK. Kittie's practice focuses on drawing and printmaking - she produces mixed media drawings on paper, multi-layered monotypes, and small edition screenprints. Kittie is inspired by the full sensory experience of time spent outdoors, most often along the east coast of Scotland. Much of her work is completed outside, and other sketches provide a starting point for prints and studio drawings. Book over a month in advance to receive 15% off the course price with our Early Bird tickets! This course also entitles you to a FREE 3-month Associate Membership to use the studio and consolidate your skills. Image: Kittie Jones
Print Studio
From 19-21 April, benefit from an extended 3-day expanded practice course. Join us for our Stone Lithography Expanded Practice class with experienced lithographer and artist Alastair Clark. Not sure if you want to committ to three days? Try our Stone Litho Taster Classes first! Stone Lithography, the original type of lithography, is still favoured by many artists. Drawing directly onto a prepared limestone surface gives opportunity for a spontaneous approach to mark-making. Find out how artists with wide ranging styles, from MC Escher, Picasso, Jasper Johns, and Kathe Kolwitz, have delighted in the subtleties of the stone. Thiscourse gives a comprehensive introduction to stone lithography, and is suitable for people without previous lithography experience or for those wishing to refresh their skills. Emphasis is given to stone lithography as a drawing and painting medium, working directly on this wonderful robust drawing surface. Learn how to paint with water-tusche washes, achieving the astonishing 'reticulated washes' peculiar to stone lithography. Initially focusing on learning the process and working in monochrome, we will explore traditional approaches to mark-making using tusche crayon and wash as well as alternative drawing methods. Learn all about processing of images on stone and how to stabilise the image for printing before taking a number of prints to show the development of your drawing at different stages. Move on to look at how to add additional colours to produce layered colour prints. During the course we will work to aprox. A3: 28 x 38.5cm. Alastair Clark Specialising in stone and plate lithography, Alastair has over 30 years' of teaching experience at Edinburgh Printmakers, and previously at Edinburgh College of Art. As Head of Editions at Edinburgh Printmakers, he works on print projects as a collaborative expert printmaker with invited artists, producing print editions for the organisation's publishing programme that are exhibited and sold all over the world. Alastair has exhibited widely in the UK and abroad, and was elected as a professional member of the SSA in 1997. Recent solo exhibitions include Dark Matters at Edinburgh Printmakers exploring themes inspired by astronomy, while Skylights drew inspiration from the Northern Lights. Recent series of prints include Eutopians which responded to Brexit, and the ongoing series An Island Time explored climate change. Book over a month in advance to receive 15% off the course price with our Early Bird tickets! This course also entitles you to a FREE 3-month Associate Membership to use the studio and consolidate your skills.
Print Studio
Join artist and printmaker Gillian Murray to develop with ample time your collagraph skills. This three day course will give plenty of opportunities to explore this technique and develop your work. The first day will show you how to make and print your plate, and the subsequent two days will give you time to develop the technique on new plates experimenting with chine collé, relief rolls, blind emboss and colours. A collagraph print is an impression taken from a collaged and textured plate. The plate in this case is mountboard on which your image is constructed using a variety of textured materials such as embossed wallpaper, cut out shapes, stickers, stamps, tissue, etc as well as gesso, glue, grit and cutting to make marks on the mountboard. Once finished and sealed with varnish, the plate is inked up and printed through an etching press. This creates rich textures and an embossed surface. Gillian Murray Gillian wasborn in Perth, Scotland and studied Fine Art (Printmaking) at Gray's School of Art in Aberdeen, graduating in 1993. After a mvoe to Edinburgh, she was employed at Edinburgh Printmakers from 1996 until 2017 running the screenprinting department. This involved working on print projects with a host of local, national, and international artists as well as teaching courses in screenprinting and collagraphs. She now dedicates more time to creating her own artwork, as well as freelance teaching and editioning. In her own work she is fascinated by the landscape from the tectures and colours to its form and composition. She is a professional member of the SSA and has exhibited widely in the UK and beyond. This course is part of our well-established and respected Summer School Programme, which gives printmakers of all skills levels valuable experience working with some of Scotland's most experienced practioners. It also entitles you to a FREE 4-month Associate Membership, which allows you to use the studio and consolidate your skills after the course. Image: Gillian Murray, Inner Sound, Loch Carron, screenprint and collagraph, 2022
Print Studio
On 5-7 July, combine plate lithography and monoprinting techniques in this exploratory 3-day workshop led by Edinburgh Printmakers' Head of Editions, Alastair Clark. Start by working on acetates with various drawing, painting, or digital materials and then exposing these directly onto an aluminium photo plate. These plates can produce detailed marks such as painterly washes, liner drawings, digital images, photographs, and text. Then you will delve into layering, printing plates and exploring how to build prints up in colours using lithography, combining simple monoprinting techniques and diving into some colour theory along the way. This hands on course will allow for a playful exploration of how to approach lithography in a creative way, harnessing the delicacy of mark and tone characteristic to this medium. Alastair Clark Specialising in stone and plate lithography, Alastair has over 30 years' of teaching experience at Edinburgh Printmakers, and previously at Edinburgh College of Art. As Head of Editions at Edinburgh Printmakers, he works on print projects as a collaborative expert printmaker with invited artists, producing print editions for the organisation's publishing programme that are exhibited and sold all over the world. Alastair has exhibited widely in the UK and abroad, and was elected as a professional member of the SSA in 1997. Recent solo exhibitions include Dark Matters at Edinburgh Printmakers exploring themes inspired by astronomy, while Skylights drew inspiration from the Northern Lights. Recent series of prints include Eutopians which responded to Brexit and the ongoing series An Island Time explores climate change. This course is part of our well-established and respected Summer School Programme, which gives printmakers of all skills levels valuable experience working with some of Scotlands most experienced practioners. It also entitles you to a FREE 4-month Associate Membership, which allows you to use the studio and consolidate your skills after the course. Book over a month in advance to receive 15% off the course price with our Early Bird tickets!
Print Studio
On Sat 17 - Mon 19 May 2025, join artist Kelly Stewart for this unique course. The workshop offers an opportunity to focus on mark-making and drawings with the theme of Australian Flora. Tutor and artist Kelly Stewart has recently spent time in her native country and will be bringing back samples of Australian flora as resource materials for this course. During this 3-day workshop, you will be converting drawings and mark making from day 1 into the screen printing process on day 2, followed by the final day of bookbinding where your beautiful flora inspired prints will become your very own artist book. You will learn how to combine layers of mark-making by using a range of materials to draw and paint directly onto films, which will then be exposed onto screens for printing. You'll also learn how to mix inks with a view to layer and overlap their imagery onto a range of papers. Subsequently you will be taught how to hand stitch and bind your prints into a hardcover artist book. Do you already know how to screen print and/or bookbind, but are interested in having the unique opportunity to draw from samples of beautiful Australian flora? You can book onto the drawing day independently here. Kelly Stewart Kelly Stewart studied Design (Visual Communication) in Sydney, Australia before moving to Scotland and joining Edinburgh Printmakers in 2001. Since then, she has worked predominanly in the medium of screenprinting as she finds it combines drawings, textures, and handwritten text unlike any other medium. Kely has tried many other print techniques, but has a passion for screenprinting which she brings into her classes and workshops. Book over a month in advance to receive 15% off the course price with our Early Bird tickets! This course is part of our well-established and respected Summer School Programme, which gives printmakers of all skills levels valuable experience working with some of Scotlands most experienced practioners. It also entitles you to a FREE 4-month Associate Membership, which allows you to use the studio and consolidate your skills after the course.
Print Studio
On 12-14 July join us for Drawn & Painterly Approaches to Etching with Robert Powell. This 3-day course provides the perfect introduction to the medium of etching, focusing on its use as a drawing and painting process. The course will start with a technical grounding, introducing innovative techniques that encourage spontaneous and diverse methods of mark-making. Working directly onto metal plates, you will develop images through various hand-applied techniques. Using new safer acid resists makes etching a much healthier process, using neither dangerous acids nor solvents. Following that, you will have time to develop both copper and zinc plates to explore ways of creating images, exploiting their etcherly qualities. Book over a month in advance to receive 15% off the course price with our Early Bird tickets! This course also entitles you to a FREE 3-month Associate Membership to use the studio and consolidate your skills.
Print Studio
On 20-22 September 2025, Kittie Jones, acclaimed artist and printmaker, will introduce you to this unique printmaking technique, all based around the discoveries made in her own practice. Initially, time will be spent exploring monochrome rub-away processes considering tone and mark. You will then be shown how to layer with colour to create rich and complex one-off prints. During this expanded 3-day masterclass, you will be guided through the processes used by Kittie including working with layers of transparent colour and rub-away drawing techniques to create unique painterly prints. Kittie will share insights into her process of bringing lively sketches made outdoors into the print studio. Kittie Jones is an artist and educator based in Edinburgh. She graduated from Edinburgh College of Art and Edinburgh University in 2008 and now works from her studio in Leith, regularly exhibiting around the UK. Kittie's practice focuses on drawing and printmaking - she produces mixed media drawings on paper, multi-layered monotypes, and small edition screenprints. Kittie is inspired by the full sensory experience of time spent outdoors, most often along the east coast of Scotland. Much of her work is completed outside, and other sketches provide a starting point for prints and studio drawings. Book over a month in advance to receive 15% off the course price with our Early Bird tickets! This course also entitles you to a FREE 3-month Associate Membership to use the studio and consolidate your skills. Image: Kittie Jones
Print Studio
From 19-21 April, benefit from an extended 3-day expanded practice course. Join us for our Stone Lithography Expanded Practice class with experienced lithographer and artist Alastair Clark. Not sure if you want to committ to three days? Try our Stone Litho Taster Classes first! Stone Lithography, the original type of lithography, is still favoured by many artists. Drawing directly onto a prepared limestone surface gives opportunity for a spontaneous approach to mark-making. Find out how artists with wide ranging styles, from MC Escher, Picasso, Jasper Johns, and Kathe Kolwitz, have delighted in the subtleties of the stone. Thiscourse gives a comprehensive introduction to stone lithography, and is suitable for people without previous lithography experience or for those wishing to refresh their skills. Emphasis is given to stone lithography as a drawing and painting medium, working directly on this wonderful robust drawing surface. Learn how to paint with water-tusche washes, achieving the astonishing 'reticulated washes' peculiar to stone lithography. Initially focusing on learning the process and working in monochrome, we will explore traditional approaches to mark-making using tusche crayon and wash as well as alternative drawing methods. Learn all about processing of images on stone and how to stabilise the image for printing before taking a number of prints to show the development of your drawing at different stages. Move on to look at how to add additional colours to produce layered colour prints. During the course we will work to aprox. A3: 28 x 38.5cm. Alastair Clark Specialising in stone and plate lithography, Alastair has over 30 years' of teaching experience at Edinburgh Printmakers, and previously at Edinburgh College of Art. As Head of Editions at Edinburgh Printmakers, he works on print projects as a collaborative expert printmaker with invited artists, producing print editions for the organisation's publishing programme that are exhibited and sold all over the world. Alastair has exhibited widely in the UK and abroad, and was elected as a professional member of the SSA in 1997. Recent solo exhibitions include Dark Matters at Edinburgh Printmakers exploring themes inspired by astronomy, while Skylights drew inspiration from the Northern Lights. Recent series of prints include Eutopians which responded to Brexit, and the ongoing series An Island Time explored climate change. Book over a month in advance to receive 15% off the course price with our Early Bird tickets! This course also entitles you to a FREE 3-month Associate Membership to use the studio and consolidate your skills.
Print Studio